Serigraph

MICHAEL ROZENVAIN

Michael Rozenvain was born in Kiev, Ukraina in 1963. He graduated from art college in Kiev, and after that in the Academy of decorative art in Lvov. He came to Israel in 1990.

Michael Rozenvain has a great talent in painting watercolors of flowers and landscapes, a subject and medium which many have disregarded and even scorned. To reveal such a great talent in painting watercolors in flowers is one of the most difficult things because a flower is the highest expression of beauty in nature, and the tools of painting which we have are not capable of depicting this beauty on canvas.

However, the task of great art is not to create anew the beauty of nature, but to create the beauty whose inspiration is drawn from nature. This is what Rozenvain achieves in his paintings.

In his works there is much more than an exact description of the smallest detail of the flower. They are recreated in his imagination and become transformed into a painting with its own rhythm. By his delicate arrangement of line and the placement of color unique to him, he lavishes on his works the mysterious indefinable sublimation which turns a painting into a work of art.

MICHAEL ROZENVAIN

Michael Rozenvain was born in Kiev, Ukraina in 1963. He graduated from art college in Kiev, and after that in the Academy of decorative art in Lvov. He came to Israel in 1990.

Michael Rozenvain has a great talent in painting watercolors of flowers and landscapes, a subject and medium which many have disregarded and even scorned. To reveal such a great talent in painting watercolors in flowers is one of the most difficult things because a flower is the highest expression of beauty in nature, and the tools of painting which we have are not capable of depicting this beauty on canvas.

However, the task of great art is not to create anew the beauty of nature, but to create the beauty whose inspiration is drawn from nature. This is what Rozenvain achieves in his paintings.

In his works there is much more than an exact description of the smallest detail of the flower. They are recreated in his imagination and become transformed into a painting with its own rhythm. By his delicate arrangement of line and the placement of color unique to him, he lavishes on his works the mysterious indefinable sublimation which turns a painting into a work of art.

Born in Essen, Germany, in 1924, Naftali Bezem emigrated to Palestine in 1939 under the auspices of Youth Aliyah. He studied for three years at the Bezalel School of Art in Jerusalem, and later taught there. From 1949 to 1951 he painted in Paris.

Bezem’s first major showing was of drawings in the Venice Biennale of 1954, where six years later he exhibited five paintings. In 1960 his work was included in the “Noir et Blanc” exhibition in Lugano; in 1963 the Sao Paulo Bienal and the Galerie Charpentier in Paris. His paintings were also exhibited in the Art Israel exhibit organized by the Museum of Modern Art in New York. In 1964 an exhibit of his works was held in New York and at Brandeis University.

In Israel, Bezem won the Dizengoff Prize of 1957; and in 1967 won a grant from the government which permitted him six months’ painting in Paris at the Israel studio of the Cite Internationale des Arts. His works were exhibited at the National Museum in Jerusalem in 1959, Tel Aviv Museum in 1960, Haifa Museum in 1964.

Bezem has executed a number of important commissions as well, including murals for the Israel Pavilions at the Brussels World’s Fair and at Expo’67, a sculptural wall for the El-Al Airlines Building in Tel Aviv, and murals for the Zim Steamship “Theodore Hertzl” and for the Weizmann Institute in Rehovot.