Bible

The moon waxes and wanes above the oval realm of the world that Weil depicts here as a mass of changing textures, over and through which passes a single figure, entering at right and repeated as in stop-motion photography, then waxing enormous and ghostly at center, only to fade out, head downcast, at left. It seems a visual statement of life’s transience: phases and cycles, time passing and time eternal, the repetition of history itself. As the title suggest, the people of Israel were led out of the wilderness before, and very likely shall be agian.

Shraga Weil was born in Nitra, Czechoslovakia in 1918 to a family of teachers, journalists and merchants. His father, a building engineer, who was an amateur painter, sent him to study with a local sculptor and then to the Prague School of Art.

He produced his first graphic works during World War II, part of which he spent as a prisoner. After the war, Weil sailed for Israel on an illegal immigrant ship, eventually arriving in the new country in 1947 and becoming a member of Kibbutz Haogen, where he has been living ever since.

In 1954 Weil spent some time studying murals and graphic techniques at the Academie des Beaux Arts, Paris and Ravenna mosaics with Prof. Severinl.

Shraga Weil’s works have been exhibited in the United States, South America, Canada, Australia, France, the USSR, Switzerland, and in the International Exhibition of Graphic Arts, in Lugano. In 1959, Weil was awarded Tel Aviv’s Dizengoff Art Prize

Shraga Weil was born in Nitra, Czechoslovakia in 1918 to a family of teachers, journalists and merchants. His father, a building engineer, who was an amateur painter, sent him to study with a local sculptor and then to the Prague School of Art.

He produced his first graphic works during World War II, part of which he spent as a prisoner. After the war, Weil sailed for Israel on an illegal immigrant ship, eventually arriving in the new country in 1947 and becoming a member of Kibbutz Haogen, where he has been living ever since.

In 1954 Weil spent some time studying murals and graphic techniques at the Academie des Beaux Arts, Paris and Ravenna mosaics with Prof. Severinl.

Shraga Weil’s works have been exhibited in the United States, South America, Canada, Australia, France, the USSR, Switzerland, and in the International Exhibition of Graphic Arts, in Lugano. In 1959, Weil was awarded Tel Aviv’s Dizengoff Art Prize.

Museums and Public Collections

Brandeis University, Waltham, Massachusetts
Boston Public Library
Israel Museum, Jerusalem
William Rockhill Nelson Gallery, Kansas City, MO
Fogg Museum, Harvard University
Los Angeles County Museum
Jewish Museum, New York
Philadephia Museum of Art
Joslyn Museum, Omaha, Nebraska
Judah Magnes Museum, Berkeley, CA

Against the solid foundation of a rock wall fragment the artist juxtaposes ghost-like figures from his repertoire of familiar characters. There is the carrier of wood (which is used to burn offerings) at left, the shepherd with ram at right (with a bird alighting on his head), and a teacher at center (gesturing toward the central alter with etrog upon it). The work is a summary of all the legends of the Midrash that have nourished the artist, all the stories and tales that culminate in Vayomer – and he said – to bring home their moral points

Shraga Weil was born in Nitra, Czechoslovakia in 1918 to a family of teachers, journalists and merchants. His father, a building engineer, who was an amateur painter, sent him to study with a local sculptor and then to the Prague School of Art.

He produced his first graphic works during World War II, part of which he spent as a prisoner. After the war, Weil sailed for Israel on an illegal immigrant ship, eventually arriving in the new country in 1947 and becoming a member of Kibbutz Haogen, where he has been living ever since.

In 1954 Weil spent some time studying murals and graphic techniques at the Academie des Beaux Arts, Paris and Ravenna mosaics with Prof. Severinl.

Shraga Weil’s works have been exhibited in the United States, South America, Canada, Australia, France, the USSR, Switzerland, and in the International Exhibition of Graphic Arts, in Lugano. In 1959, Weil was awarded Tel Aviv’s Dizengoff Art Prize.

Museums and Public Collections

Brandeis University, Waltham, Massachusetts
Boston Public Library
Israel Museum, Jerusalem
William Rockhill Nelson Gallery, Kansas City, MO
Fogg Museum, Harvard University
Los Angeles County Museum
Jewish Museum, New York
Philadephia Museum of Art
Joslyn Museum, Omaha, Nebraska
Judah Magnes Museum, Berkeley, CA

Shraga Weil was born in Nitra, Czechoslovakia in 1918 to a family of teachers, journalists and merchants. His father, a building engineer, who was an amateur painter, sent him to study with a local sculptor and then to the Prague School of Art.

He produced his first graphic works during World War II, part of which he spent as a prisoner. After the war, Weil sailed for Israel on an illegal immigrant ship, eventually arriving in the new country in 1947 and becoming a member of Kibbutz Haogen, where he has been living ever since.

In 1954 Weil spent some time studying murals and graphic techniques at the Academie des Beaux Arts, Paris and Ravenna mosaics with Prof. Severinl.

Shraga Weil’s works have been exhibited in the United States, South America, Canada, Australia, France, the USSR, Switzerland, and in the International Exhibition of Graphic Arts, in Lugano. In 1959, Weil was awarded Tel Aviv’s Dizengoff Art Prize.

Museums and Public Collections

Brandeis University, Waltham, Massachusetts
Boston Public Library
Israel Museum, Jerusalem
William Rockhill Nelson Gallery, Kansas City, MO
Fogg Museum, Harvard University
Los Angeles County Museum
Jewish Museum, New York
Philadephia Museum of Art
Joslyn Museum, Omaha, Nebraska
Judah Magnes Museum, Berkeley, CA