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Search Results for: Jerusalem

Fleisheker

Jerusalem 18

$800$500

Oil on Canvas2021

Shipping & Handling: $30

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Fleisheker

Jerusalem #18

$1800$1200

Oil on Canvas2018

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Fleisheker

Jerusalem – Tower of David

$2300$1600

Oil on Canvas2018

Shipping & Handling: $30

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Gregory Kohelet

Jerusalem IV

$200

Edition 120

Shipping & Handling: $30

Gregory Kohelet was born in 1954 in Fergana. The son of a sculptor, Gregory was initiated into art by his father. He wasn’t pressured to learn “the classical laws of Art” but only to love and respect nature – the master teacher. As a young boy, Gregory traveled with his father to wild landscapes with the intention of learning to understand the meaning of composition, color, and expression as they exist in Nature. There, he listened to the music, understood the wisdom of the stones. Nature taught him to listen to silence. He thought that if he were to stay there he would become a Buddhist. But his was a different destiny. He left his parents and his town Fergana at the age of 14 and went to study art in Tashkent. He studied painting for 4 years at the Art College, and then for five more years at the Academy of Art. He had excellent teachers, many from Moscow and St. Petersburg. At College he was particularly influenced by Eastern art: Japanese, Chinese, Indian, while at the Academy he studied European Art: Giotto, Bruegel, Modigliani, More, Brancusi and Russian icons. Yet he felt that his life’s course must pass through Jerusalem. In 1990 he immigrated with his family to Israel and settled in Jerusalem. In the holy city he absorbed much light and divine inspiration. He believes in G-d, but only in Jerusalem did he really “meet” him. His influences from literature: The Bible essentially, Rilke, Matzu-Batzu (China), Lorca (Spain), Eluard (France)… His influences from the world of music: Mozart, Bach, organ and liturgical (Armenian, Catholic, Jewish…) His family is also a source of inspiration. His son Daniel – born in Jerusalem, his first son – born in Tashkent, and his wife, who dominates the female figure in his work.
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Azen

Jerusalem

$200$100

Shipping & Handling: $30

ARIE AZENE Arie Azene was born in Germany in 1934. He moved to Israel at a young age and grew up in Tel Aviv. During his career as a Master artist he has exhibited in international shows, Museums and Galleries in Israel, Europe and the USA. Many of Azene’s artworks can be found in important private collections. The original paintings that inspired Azene’s 3D mixed media series were painted in watercolours throughout the 80’s. Inspired by these pictures a new series of oil paintings and 3D mixed media artworks were created by Azene in the last few years 1956 Tel Aviv Museum: Israeli artist 1959 Tel Aviv Museum: new horizons 1963 Ein Harod Museum: new horizons 1963 Biennale – Paris 1965 Tel Aviv Museum: young Artists 1966 Gordon Gallery T.A. 1967 Katz Gallery T.A. 1968 Tel Aviv Museum: Autumn Show 1971 Modern art Museum Haifa: Multism 1971 Tel Aviv artist’s House: Abrstractions 1973 Jerusalem artist’s house 1973 Sara Gilat gallery, Jerusalem 1974 Yodfat Gallery T.A. 1975 Yodfat Gallery T.A. 1979 Israel Museum, Jerusalem: Kadishman connection 1981 Tel Aviv Museum: new works 1985 Art – Expo N.Y. 1985 Art – Expo L.A. 1986 Art – Expo N.Y. 1986 Art – Expo L.A.
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Abraham Binder

Jerusalem of Gold

$3275

Shipping & Handling: $30

ABRAHAM BINDER – A GREAT MASTER Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the intervening space, too – creates figurative effects in the artist’s treatment. Abraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanations. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binder’s large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of large splashes of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem of contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. Abraham Binder’s insatiable curiosity has advanced him into the front ranks of our nation’s artists. David Giladi
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Abraham Binder

Gates of Jerusalem

$2975

Shipping & Handling: $30

ABRAHAM BINDER – A GREAT MASTER Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the intervening space, too – creates figurative effects in the artist’s treatment. Abraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanations. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binder’s large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of large splashes of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem of contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. Abraham Binder’s insatiable curiosity has advanced him into the front ranks of our nation’s artists. David Giladi
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Abraham Binder

Walls of Jerusalem

$2675

Shipping & Handling: $30

ABRAHAM BINDER – A GREAT MASTER Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the intervening space, too – creates figurative effects in the artist’s treatment. Abraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanations. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binder’s large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of large splashes of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem of contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. Abraham Binder’s insatiable curiosity has advanced him into the front ranks of our nation’s artists. David Giladi
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Abraham Binder

Jerusalem The city of Peace

$2250

Shipping & Handling: $30

ABRAHAM BINDER – A GREAT MASTER Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the intervening space, too – creates figurative effects in the artist’s treatment. Abraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanations. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binder’s large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of large splashes of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem of contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. Abraham Binder’s insatiable curiosity has advanced him into the front ranks of our nation’s artists. David Giladi
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Calman Shemi

Jerusalem of gold

$8950$5950

Shipping & Handling: $30

CALMAN SHEMI Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the School of sculpture and Ceramics in Mendoza, he was a student of the Italian-Argentinian sculptor, Rudi Lehman. In 1961 Shemi settled in Israel and joined Kibbutz Carmia of which he was a member for twenty years. There he worked in agriculture and also as a sculptor employing wood or clay. Several large-scale projects made of fiberglass and polyester are situated in various public buildings. Between the years 1967 and 1981 his works were presented in 10 one-man shows in Israel. Since 1981 Shemi lives in Jerusalem, where he creates using an original technique that was invented and developed by him, and that has been registered as a patent. His works, a new medium in modern art, are called soft paintings and are made of thousands of pieces of felt and woolen threads. Shemi replaces the traditional brush and pencil with felt and threads to create a painting of unique textures – rich and strong in content and color, yet soft to the touch. The work process is long and complex. It includes preparation of hundreds of rolls of material of various thicknesses and colors. Numerous pieces of material are hand-cut and layered in an “Applique-type” work in order to “Translate” or “transform” the painting, which serves as a basis, into a whole new medium. All the pieces of the paintings are held together using high technology. Soft paintings by Shemi are hung, among other places, in the permanent collection of the Spertus Museum of Judaica, Chicago, the Fashion Institute New York, the King David Hotel, Jerusalem, One Denver Place, Denver, Citibank Corporate Offices, New York, The Jerusalem Theatre Digital Computers, Israel, Bank Leumi, Israel, Bank Hapoalim, Israel, the First International Bank, Israel, Weightwatchers Corporate Headquarters, Farmington Hills, Michigan Gorgio Executive office, Beverly Hills as well as in private residences and public buildings in Israel, France, Singapore, Nigeria, Australia, Japan, Canada, Spain, Germany and the United States. Following an order by Carnival Cruise Lines of Miami for their new ship “Sensation”, Shemi has created prints and paintings for all 1200 cabins, and large murals for the public areas. In addition to his soft paintings, the artist is also working in the mediums of painting on canvas and large scale works on paper, etching with painted silk paper, lithographs, ceramics, jewelry and sculptures. Calman Shemi has achieved an art expression that has received international acclaim and acceptance.
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Moshe Castel

Guardians of Jerusalem

$400$150

Shipping & Handling: $30

MOSHE CASTEL Painting, for Moshe Castel, is a vital preoccupation, at all times. He is one of the artists whose life is synonymous with and consecrated to his art. And while he has experimented with other trends, he always returns to the inspirational fonts from which he drank during childhood, filling his paintings with oriental landscapes, capturing the romantic atmosphere of Eretz Israel, the hues of burning heat and the shadows of the vaulted houses; capturing, too, the mingling of cultures evident here. Born to Sephardic Jews who trace their ancestry back to the expulsion from Spain and settled in Hebron, Castel revealed a penchant for art at the youthful age of six. In this he was inspired by the artistic talents of his father, a scholar and scribe whose superb calligraphy on Torah scrolls and ornamental embroidery on silk Torah coverings was renowned. Castel entered the Bezalel School of Art at the age of 13, and spent three years studying arts and crafts. The young man’s talents were so pronounced that his teachers suggested he be sent to France for further studies, and Castel left for Paris in 1927, at the age of 18. Ten years of struggle, hardship and assiduous study of the various techniques of art followed. Castel returned to Israel as the Second World War broke out. Drawn to the city of Safed, the seat of Jewish mysticism, he decided to settle in this city of twisting lanes, magnificent scenery and ancient synagogues. Ensconced in his studio, Castel closed his door to visitors, and devoted himself to his art. Castel brought from Paris a fresh, Parisian flair, and the influence of Utrillo and Vlaminck. But his renewed affinity to the land of his forefathers induced him to depict the lives of Sephardic Jews in Israel. The influence of Persian miniatures is evident in his paintings, and Castel refined them, adding great charm to themes of local color and patriarchal motives. This period lasted through the thirties and forties. Castel achieved great renown, and was extremely successful in his exhibitions. Castel was influenced for a time by the oriental colorfulness of Georges Rouault and by an awareness of Chagall. But the impact of mysticism gradually took another form, and Moshe Castel discovered his own technique of painting, in which color and texture; picture and relief became joined. This turning point, realized in 1948, evolved around the use of a technique which utilized ground basalt rock, mixed with sand and glue and infused with the rich colors that were characteristic of the artist. Castel’s painting, regardless of epoch, always possessed a singular vitality of color, in which every bloc of color carries its own specific meaning. With this new technique, the artist produced paintings portraying indecipherable ancient Hebrew script, whose panels evoke the feeling of a union of past and present. Desolation can be sensed in the seared scenes of land. The Hebrew letters are used not to verbalize, but to fuse the mounting syllables to link the viewer with the past. An archaic spirit emanates from them, the ancient spirit of the people.
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Fleisheker

Jerusalem 15

$2300$1600

Oil on Canvas2018

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Fleisheker

Jerusalem 14

$2300$1600

Oil on Canvas2018

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Fleisheker

Jerusalem #13

$1800$1200

Oil on Canvas2018

Shipping & Handling: $30

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Fleisheker

Jerusalem 11

$2300$1600

Oil on Canvas2018

Shipping & Handling: $30

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Fleisheker

Jerusalem #6

$2300$1600

Oil on Canvas2018

Shipping & Handling: $30

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Gregory Kohelet

Jerusalem

$300

Serigraph on Paper2000 Edition 245

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Gregory Kohelet was born in 1954 in Fergana. The son of a sculptor, Gregory was initiated into art by his father. He wasn’t pressured to learn “the classical laws of Art” but only to love and respect nature – the master teacher. As a young boy, Gregory traveled with his father to wild landscapes with the intention of learning to understand the meaning of composition, color, and expression as they exist in Nature. There, he listened to the music, understood the wisdom of the stones. Nature taught him to listen to silence. He thought that if he were to stay there he would become a Buddhist. But his was a different destiny. He left his parents and his town Fergana at the age of 14 and went to study art in Tashkent. He studied painting for 4 years at the Art College, and then for five more years at the Academy of Art. He had excellent teachers, many from Moscow and St. Petersburg. At College he was particularly influenced by Eastern art: Japanese, Chinese, Indian, while at the Academy he studied European Art: Giotto, Bruegel, Modigliani, More, Brancusi and Russian icons. Yet he felt that his life’s course must pass through Jerusalem. In 1990 he immigrated with his family to Israel and settled in Jerusalem. In the holy city he absorbed much light and divine inspiration. He believes in G-d, but only in Jerusalem did he really “meet” him. His influences from literature: The Bible essentially, Rilke, Matzu-Batzu (China), Lorca (Spain), Eluard (France)… His influences from the world of music: Mozart, Bach, organ and liturgical (Armenian, Catholic, Jewish…) His family is also a source of inspiration. His son Daniel – born in Jerusalem, his first son – born in Tashkent, and his wife, who dominates the female figure in his work.
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Gregory Kohelet

Jerusalem III

$200

Edition 120

Shipping & Handling: $30

Gregory Kohelet was born in 1954 in Fergana. The son of a sculptor, Gregory was initiated into art by his father. He wasn’t pressured to learn “the classical laws of Art” but only to love and respect nature – the master teacher. As a young boy, Gregory traveled with his father to wild landscapes with the intention of learning to understand the meaning of composition, color, and expression as they exist in Nature. There, he listened to the music, understood the wisdom of the stones. Nature taught him to listen to silence. He thought that if he were to stay there he would become a Buddhist. But his was a different destiny. He left his parents and his town Fergana at the age of 14 and went to study art in Tashkent. He studied painting for 4 years at the Art College, and then for five more years at the Academy of Art. He had excellent teachers, many from Moscow and St. Petersburg. At College he was particularly influenced by Eastern art: Japanese, Chinese, Indian, while at the Academy he studied European Art: Giotto, Bruegel, Modigliani, More, Brancusi and Russian icons. Yet he felt that his life’s course must pass through Jerusalem. In 1990 he immigrated with his family to Israel and settled in Jerusalem. In the holy city he absorbed much light and divine inspiration. He believes in G-d, but only in Jerusalem did he really “meet” him. His influences from literature: The Bible essentially, Rilke, Matzu-Batzu (China), Lorca (Spain), Eluard (France)… His influences from the world of music: Mozart, Bach, organ and liturgical (Armenian, Catholic, Jewish…) His family is also a source of inspiration. His son Daniel – born in Jerusalem, his first son – born in Tashkent, and his wife, who dominates the female figure in his work.
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Jossi Stern

S- 57a David over Jerusalem

$200$100

Lithograph1967

Shipping & Handling: $30

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Shemuel Katz

Jerusalem of Gold

$200$100

Serigraph1968 Edition 100

Shipping & Handling: $30

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